Developer

40 volume developer (12%): what it does and when to use it

What 40 vol costs in heat, scalp and condition, the one service it is built for, and the slower routes to the same blonde.

Published 2026-09-11. Written and checked by the Easy Hair Edit team.

40 volume developer being mixed in a salon bowl
A small bottle of 40 volume, 12 percent: the strongest developer most salons stock and the one that leaves the shelf least.

Which developer do I need?

Answer four quick things and the tool names the volume. Same rules as the level chart.

With
Hair texture
Use20 vol

Fine or fragile hair: drop one volume from the answer and add minutes rather than strength. Always strand test.

Before anything else

40 volume developer is 12% peroxide, the strongest most colorists will touch (a 50 vol exists and nobody needs it), and lifts three to four levels with a high-lift series in 30 to 45 minutes, checked often. It is built for one job: the full four levels of a high-lift blonde on virgin hair. It never goes on the scalp with bleach, never under a dryer, and never on fine, porous or previously colored hair.

Keep it off the scalp, keep it away from a dryer, and if you are coloring at home, put it back on the shelf. Forty volume is 12 percent hydrogen peroxide. Most colorists say the same two things about it, that they would not use it at home at all and that they use it very rarely in the salon, and the reason is the way it works. It lifts very fast and then it fizzles out just as fast, so the whole reaction happens in the first stretch of the clock, hot, on skin as well as hair, and little time in which you can still stop it. What it buys, three to four levels with a high-lift series, it buys on healthy uncolored hair only. Everywhere else it costs more than it gives.

There is a 50, and nobody needs it

Forty is not the top of the shelf. Beauty supplies in the US sell a 50 volume, 15 percent, usually behind glass or with a child lock on the cap, and every colorist asked about it says some version of the same thing: it exists, and we are not making bombs. Worth knowing that the cosmetics rules Europe and the UK run on cap hair products at 12 percent peroxide, written into the law as 40 volumes, so a 50 sits above the line those markets drew. One test of it against 40 got the same level at the brand’s 50 minutes, and the damage came from heat where the hair was piled up under the mix, which tells you what the extra 3 percent does. More heat, no more lift. Forty is the strongest most colorists will touch, and the small bottle is the one to buy if you buy it at all, because peroxide weakens once opened and the bookings for it are that rare.

Fast, then it fizzles

Volume is how much oxygen the peroxide can release, so a 40 releases twice what a 20 does, and it releases it early. The alkali in the tube opens the cuticle, the peroxide oxidizes the melanin inside, and at 12 percent the cuticle is thrown open where 20 eases it. Protein goes out with the pigment. The hair that comes out is more porous than the level it reached: toner takes in three minutes on the ends and washes out in a week, and a wet strand that stretches and stays stretched has lost what no developer gives back. Colorists reach for the plain words here, spaghetti hair, gummy, fried, because that is what a 40 vol pass on fine hair looks like.

With lightener the same is true and the payoff is smaller. The tub says up to seven or nine levels, and that number belongs to the powder. The developer only sets how fast it gets there, so 20, 30 and 40 under the same powder arrive at the same pale yellow. Forty arrives first, hottest, and with the least time to catch it.

High-lift: 30 or 40, per the tube

High-lift blonde on virgin hair is what 40 exists for. The high-lift series carry more alkali and less pigment, they are mixed at 1:2, one part color to two parts developer (the developer mix calculator does 1:2 in grams or ounces), and they lift and tone in the same pass, which a lightener does not. Most tubes allow 30 or 40. Thirty gets three levels with less heat, and 40 is what the full four levels need, a natural 5 or 6 to a 9, warm, with yellow-orange under the ash in the tube. The level chart and the level 6 page show what a lifted 6 looks like at minute 25. A regular permanent tube on 40 does not lift more than it does on 30 vol. The tube caps the result, and the extra strength adds heat and porosity.

Virgin means virgin. A high-lift over hair with old tint on the lengths gives lifted roots and untouched, warmer lengths, a two-tone band that only lightener fixes, and a demi from last winter that has faded to almost nothing still counts. Ask twice, and check the lengths before mixing. I strand test every high-lift, a pinch from the nape in foil for the full time, and I book the toner for the same visit, because a high-lift lands gold whatever the tube promises.

Strand test the high-lift, in foil, full time. A pinch from the nape tells you the level it reaches and whether the hair holds. If the strand stretches wet and stays, book two rounds of lightener on 20 and forget the high-lift.

Lightener and 40

On the scalp, never. Body heat adds to the fastest developer in the room, the mix sits on skin as well as hair, and the burn arrives in the time the hair takes to reach orange. Every salon has a story about it. On-scalp lightener is 20 vol in nearly every chair, 30 goes in foils, and on coarse, healthy, virgin hair some brands allow 40 in foil. Read the back. Gloves on, plastic bowl, the tub’s ratio measured with the same scoop for both parts, the strand saturated inside the foil, a check every ten minutes with the processing time calculator as the starting figure, and the first foil that goes pale yellow comes out. No dryer and no hood. Added heat takes a fast reaction and removes the part where you can still stop it.

Slower routes to the same blonde

The same blonde nearly always has a slower way in, and the slower way arrives cleaner.

Two rounds of lightener, 20 on the scalp and 30 in foils, a few days to three weeks apart and toned each time, gets a natural 6 to a 9 or 10 and a 5 to a 9, with the hair in better shape than one 40 vol pass, because each round stops at a level the hair can carry. Low and slow, as most colorists now put it, costs a second visit. One or two well-known colorists argue the other way, that a lower volume for longer gives the same result and the extra time in an alkaline mix is its own damage, so you will hear both sides. Nobody on either side argues for 40 on the scalp.

A high-lift on a healthy virgin 5 or 6, strand tested, on 30 or 40 as the tube says, is the other route, and it is the one 40 vol exists for.

Goal40 vol routeSlower routeDifference in result
Natural 6 to a 9 or 10, virgin hairHigh-lift on 40, strand testedLightener in one or two rounds, 20 on the scalp, 30 in foils, tonedHigh-lift lands gold and stops at 9, lightener lands cleaner, a visit later
Natural 4 to blonde40 vol lightener on the scalp20 vol lightener on the scalp, two or three rounds40 burns and stalls orange, the slow route gets there
Resistant gray, 6N40 to force it20 vol, N shade, full time, plenty of product40 lifts the pigmented hair and leaves the white sheer, 20 covers
Lightening previously colored hairHigh-lift on 40Lightener, or a remover then colorOld tint does not move on any developer, 40 gives heat and a two-tone band
Foils on coarse, healthy hair40 vol lightener in foil, brand permitting30 vol lightener in foil, ten more minutesSame level, fewer broken hairs at the fold

Mixed 40 is used the minute it is mixed. Lightener swells in the bowl as soon as air hits it, the leftovers are dead by morning, and an opened bottle loses strength on the shelf, which is one more reason the liter of 40 in the beauty supply belongs to nobody.

Questions people ask about 40 vol

Is 40 volume developer bad for your hair?

On most hair, yes. Twelve percent peroxide throws the cuticle open and takes protein out with the pigment, and the hair that comes out is more porous than the level it reached. On healthy virgin hair, used once with a high-lift series and a strand test, it does the job it was made for. On fine, porous or previously colored hair there is no result worth what it takes, and 40 at home is how people end up with the hair colorists call spaghetti.

Can I use 40 vol with toner?

No. A toner deposits, and 40 vol lifts the base underneath it while the toner sits on top, so you get a warmer, patchier version of the shade and a lot of heat. Toners take the lowest bottle you have, 10 or a 5 vol toning developer.

How long do you leave 40 volume developer in?

30 to 45 minutes with a high-lift, whatever the brand states as its maximum, checked every ten minutes because 40 does most of its work early and then fizzles. Longer buys nothing. The processing time calculator gives a starting figure, and a strand test in foil beats it.

Can I use 40 volume developer with bleach?

Off the scalp, in foils, on coarse healthy hair, and only if the brand's directions allow it. On the scalp, never: body heat plus 12 percent peroxide plus lightener is a burn in the time the hair takes to reach orange. And it does not get you lighter than 20 or 30 under the same powder, only there faster, so most colorists stay at 20 on the scalp and 30 in foils.

Is there anything stronger than 40 volume?

Yes, a 50 volume, 15 percent, sold in US beauty supplies, usually behind glass or with a child lock on the cap. Nobody needs it. Tested against 40 it reached the same level at the brand's maximum time, and the extra 3 percent showed up as heat and breakage, mostly where the hair was piled up under the mix. 40 is the strongest most colorists will touch.

Will 40 vol lift box-dyed hair?

Color does not lift color, whatever the developer. A high-lift on 40 over old tint lifts the virgin regrowth and leaves the lengths where they were, warmer, so you end up with a two-tone band that bleach or a color remover has to fix anyway.